She made the final fold, wrote peace on it's
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She made the final fold, wrote peace on it's wings, made a silent wish and dropped it from the window.
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Kat Sushi had been laying in bed with an unknown illness. She never expected to be fined for littering after folding 1000 paper cranes and sending them out the window. The wind
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-up toys in her house were very disgruntled, and plotted to overthrow her in her sleep, to add insult to injury. Meanwhile, as Kat lay in bed,
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she changed. Slowly over time. Her skin hardened. She grew giant antennae out of her head. Her legs melted into a giant tail. She'd become a gigantic prawn. Kat laid in her bed
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and Kat wept. How would she ever return to her family, her friends, the life she had? This one fatal event that had happened to her would change her life forever, and
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lead her to raise awareness of the mortality of events. Events die all the time, and no one seemed to care. Her family and friends openly mocked event doom, so Kat ran away from
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home to set up the Centre for the Resucitation of Doomed Events and Happenstances. Her first client was Alan Bean's Moonwalk. Literally no-one remembers this & as an event it had
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great effect in convincing the population with his art of the moon landing's authenticity. A CIA ploy as any I've seen, she remarked while half-heartedly massaging events.
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Massaging facts, more like. I for one know that the moon landing was a farce, because they filmed it in my basement! The crepuscular formations on the grainy film were the water st
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ALLONE, SCHWARZENNEGER, WILLIS, NORRIS, EASTWOOD, ROURKE, FORD, DENIRO, SNIPES, LUNDGREEN, CONNERY, WASHINGTON, STREEP, RENNER, BANDERAS & a ressurected GIBSON in EXPENDABLES 4.
1
- Started
- 2013-02-18 06:40:44
- Finished
- 2015-01-01 12:07:45
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zxvasdf Jan 06 2015 @ 16:21
With Gibson reprising his role in Bird on Wire transitioning to William Wallace then, finally, to Mad Max. Eastwood directs while Snipes evades taxes under Lundgreen's port-sized nostrils puffed in indignant observation of Ford's man earring. Deniro swaggers in roles that increase in strangeness in proportion to his age. Banderas weeps over the automata that is Schwarzenegger as he clashes swords with Connery, who cries "There can only be one!" every other half minute. Willis defies Death for the millionth time, sliding down some urban precipice or another in clear view of an aged Rocky trading fisticuffs with an aged Rourke who is inexplicably lathered down with condiments by Kim Basinger every time he goes to the corner. Washington, the whitest Black guy in Hollywood chats amicably with Renner, the whitest guy in Hollywood. They were on the moon because Chuck Norris.